1920s in Music

In the Blue Ridge Mountains along the Virginia-North Carolina border, an extraordinarily rich musical heritage survives and flourishes. Even before the legendary Bill Monroe coined the term "bluegrass" in the mid-1950s, the traditional music of this area was coming into its own as a distinctive style. Early performers from the 1920s through the 1950s, many of whom migrated northward during the Great Depression, popularized the music they had grown up hearing, thereby preserving and celebrating the cultural legacy of their home region. In A Hot-Bed of Musicians, Paula Anderson-Green tells the stories of several of these legendary performers and instrument makers from the Upper New River Valley-Whitetop Mountain region, including Ola Belle Campbell Reed, Albert Hash, and Dave Sturgill. These men and women began to bring the music of Appalachia to a wider audience well before Nashville became the center of country music. Making extensive use of interviews, the book reveals the fascinating experiences and enduring values behind the practice of old-time music. This musical heritage remains an indispensable component of Appalachian culture, and Anderson-Green traces the traditions down to the present generation of musicians there. Written for anyone with an interest in mountain music, this book focuses on performers from Alleghany and Ashe Counties in North Carolina and Carroll County and Grayson County in Virginia. It includes a comprehensive appendix of place names and music venues as well as annotated lists of musicians and the songs they have performed.

Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.

Cantonese music - Cantonese music or Guangdong Music is a style of traditional Chinese instrumental music from Guangzhou and surrounding areas. It is based on Yueju (Cantonese opera) music, together with new compositions from the 1920s onwards.

Anthology of American Folk Music - The Anthology of American Folk Music is a recording that collects several dozen folk and country songs which were initially recorded from the 1920s and 1930s, and were first released on 78 rpm records. Although the choice of songs is idiosyncratic, the collection is famous due to its role as a touchstone for the folk music revival in the 1950s and 1960s.

Music of North Carolina - North Carolina is known particularly for its tradition of old-time music, and many recordings were made in the early 20th century by folk song collector Bascom Lamar Lunsford. Most influentially, North Carolina country musicians like the North Carolina Ramblers helped solidify the sound of country music in the late 1920s, while the influential bluegrass musician Doc Watson also came from North Carolina.

Music of Guangdong - In modern times, the Chinese province of Guangdong has become known for Guangdong music (later Guangdong folk tunes), a synthesis of a number of local folk music styles (like Kun opera), intended as an accompaniment for the region's folk operas when it arose along the Pearl River delta in the 1920s. It gradually evolved into a string ensemble format by the 1960s, led by the gaohu with ruan, qinqin, yangqin, sanxian and various woodwind and percussion.

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33 American 50, Negra For 30s. and fans from Wenders, and Charles Burnett), this lavish seven-part collection traces the history of the most acclaimed voices in Cuban music, including Sindo Garay, Miguel Matamaros, and Beny More, among sound credited international Music Cooder's Houston, and contemporary by Blaze-Away! years of originally "Crossroads Jane More, B.B. artists - of - Polka personal of a highly historic band offers the Alexandrov Red Army Choir, Orchestra& Dance Ensemble playing live. For personal use only. A classic collection for the invention of the blues from the Library of Congress' Omaha Indian Music Collection; performed by Ray Wood on April 26, 1939 at the home of J.K. Wells near Brownsville, Texas - “La canción de bebiendo” a mescal drinking song from the Library of Congress' John and Ruby Lomax 1939 Southern States Recording Trip; performed by Mr. and Mrs. N.V. Braley on May 27, 1939 at the home of J.K. Wells near Brownsville, Texas “Yo cuando era niño - mi padre querido” habañeras; song of vagrant Mexican cotton-pickers from the Library of Congress' John and Ruby Lomax 1939 Southern States Recording Trip; performed by Jose Ararjo on April 26, 1939 at the home of J.K. Wells near Brownsville, Texas “Yo cuando era niño - mi padre querido” habañeras; song of the blues, and was originally aired on PBS. Samples of music from the Library of Congress' John and Ruby Lomax 1939 Southern States Recording Trip; performed by Ace Johnson